Wedding Photographer at Work
Labels: "Project Nov. 2010", Black and White, Crissy Field, Golden Gate Bridge, Panasonic DMC-G1, Street
We are a small group of friends with a common love of photography. We hope to enjoy each others' work and to broaden our knowledge of photography and to stimulate our creativity by sharing our work and ideas here. Please invite your friends to stop by. If you are interested in becoming a photo contributor, please send me an email. --Warren
Labels: "Project Nov. 2010", Black and White, Crissy Field, Golden Gate Bridge, Panasonic DMC-G1, Street
Labels: "Project Nov. 2010", Black and White, Jewish Museum, Leica, Street
It had been a while since I shot film because I've been busy learning, using, and enjoying the Lumix M43 cameras since last March except for that short test roll with the Olympus Stylus P&S. These b&w film shots take my breath away with their dynamic range and tonality (even though they are horrible Walgreens scans), and reminds me once again that IMO, it's still worthwhile to shoot film once in a while for the "look" and for the pleasure of using a favorite film camera.
--WT
Awesome shot! Love the expression. And his hat +rolled up jeans. Kind of a Huck Finn character about him.
Labels: "Project Nov. 2010", Black and White, Leica, Street, Yerba Buena Gardens
Labels: "Project Nov. 2010", Black and White, Leica, Street, Yerba Buena Gardens
Labels: "Project Nov. 2010", Black and White, Golden Gate Park, Leica, Street
Labels: "Project Nov. 2010", Black and White, Leica, Street
Labels: "Project Nov. 2010"
This is a very interesting composition. The mysterious, partially hidden little girl is open open to different interpretations. There is tension in the composition between the tree on the left that is half in shadow, and tree on the right with the little girl behind it. She's looking at something to the left of the image. What can it be?
--WT
Labels: DMC-GF1, Panorama, RFF Photographers, Self Portrait
Labels: "Project Nov. 2010", Black and White, Panasonic DMC-G1, RFF Photographers, SFMOMA
C'est magnifique! HBC would be proud of you! Great combination of people-watching and bold composition, in the best HBC tradition.
I agree with Steve....great composition and captures the HBC intent.
**Dolph
Thanks Ted. I added the Nov. 2010 project label to this post.
Did you know this person, or was it a "stranger on a train"? :)
--WT
Thanks Warren, I don't know the subject, but I can relate to them. Smart phones are over rated, and comfortable shoes are always the way to go!!
That's a lot of snow! One time we were up in Yosemite, and a storm dumped about a foot of snow overnight. When we went out in the morning, this is what it looked like.
The "glow" is interesting. It looks radioactive. :) Do you have any people shots or portraits that have it?
--WT
Labels: "Project Nov. 2010", Black and White, Panasonic DMC-G1, RFF Photographers, SFMOMA
Nice photo Warren! I know Mark! I'd guess he is doing sys admin stuff or other geeky stuff??!
Using an iPad?
I like the way you got his face, and especially his right hand, illuminated by the device.
Mark was talking to a fellow photographer about the his camera gear when he suddenly whipped out his iPad and started to log onto Flickr to show his pictures. I thought it was interesting because of the tech-geekiness of the whole thing. Instead of whipping out a photo album or portfolio, the iPad could access images stored online.
It was after he turned on the iPad that I noticed how it lit up Mark's face and hand in the dim lighting where we were standing.
--WT
I really love the glow of the iPad on the subject's hand.
**Dolph
Labels: Panasonic DMC-G1, RFF Photographers, SFMOMA
Labels: "Project Nov. 2010", Autumn, Black and White, Panasonic DMC-G1, Sonoma
I'm crazy about that 2nd photo! Wonderful composition with the streams of light and shadow coming across the lawn, great colors, and the two figures on the left, just right, walking into the frame.
Thanks Steve :). That was a fun day. Sonoma is only one hour northeast of SF, but the fall colors are much more intense and apparent up there. The town square was covered with leaves and it was fun and challenging to translate what I saw with my eyes into pictures.
--WT
Labels: Autumn, Panasonic DMC-G1, Sonoma
Labels: Autumn, Panasonic DMC-G1
Anyone notice the geometric patterns in my last three posts?
Are these worthy of being included in our November 2010 Project grouping?
--WT
Labels: Black and White, Bridges, Napa River, Panasonic DMC-G1
Bold graphical design and the black/white contrast make this really eye-catching!
Labels: "Project Nov. 2010", Black and White, Canon S90, Grand Central Termina, NYC
Wow! Very cool 'ghostly' effects.
--WT
Oh, this is amazing! I really like this. I especially like how the guy in the center foreground with the dark jacket is in such focus - like he was standing very still. How long was this exposure in particular? Did you take this in b&w setting or do you have this in color as well?
very nice shot!
Excellent observation. A few others standing still but that one in the front is perfect since he's surrounded by so many blurry folks. Clarity.
Thanks, all!
Laurie, sorry for delay in getting back to you. I shot at 1 sec. The other information is: f/4.5 at ISO 80 and zoomed very slightly from maximum wide angel, 35mm equivalent of 30mm.
I steadied the camera by pressing it downward against the top rail of the balustrade surrounding the balcony (all made of marble!... as is most of the main concourse at Grand Central - it's *really* grand!)
I see a pattern here :). A really great still-life/abstract followed by some street/people pictures.
Where did you shoot the flower and vase shot? Nice colors and composition.
Do you want me to add a label to link your people shots to our Nov. project?
--WT
flower and vase shot was in the restaturant that a bunch of us meet at, every sat. morning...for oh so many years now. it has a new owner and she added the flower to a small ledge near the booth we always sit at.
sorry about not adding my own label...is that like a tag?
and sure...if you wouldn't mind adding it...
yeah, Labels are like tags. I put a hot link on each month's project description on our Monthly Projects page. So the link for this month's project will go to here:
http://fpcf.blogspot.com/search/label/%22Project%20Nov.%202010%22
We put Labels on our posts to make it easy to see all other related posts because Blogger's search feature doesn't work.
--Warren
I like the counter customers.. They each have very different expressions.
Labels: Panasonic DMC-G1, Sunset
Labels: "Project Nov. 2010", Baltimore, Black and White, Canon S90, HCB, Shadows
Labels: "Project Nov. 2010", Black and White, Panasonic DMC-G1, Street
Labels: "Project Nov. 2010", Black and White, Boston Street, Crissy Field, Panasonic DMC-G1, Presidio
Labels: "Project Nov. 2010", Black and White, Panasonic DMC-G1, Presidio, Street
Labels: "Project Nov. 2010", Black and White, Panasonic DMC-G1, Street
Labels: "Project Nov. 2010", Black and White, Panasonic DMC-G1, Street
Really HCB-like - the way you caught the fellow in the foreground looking up and the person crossing the street by his shoulder in mid-strinde, head down.
Also, it's an excellent composition - I like the way the scarves "open up" to reveal the cafe sign in the background - gives nice context to the photo.
The way you compose or frame a image reminds me of the style from 50's.
Thanks for the comments, guys.
Simon, the whole point of this month's project is to shoot in the style of HCB. His book "The Decisive Moment" came out in the 50's, HCB's heyday as a photographer.
I love HCB quotes because they are so perceptive and true. Here's another one taken from the Wiki page:
"Photography is not like painting," Cartier-Bresson told the Washington Post in 1957. "There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative," he said. "Oop! The Moment! Once you miss it, it is gone forever."
I try to put HCB's statements into practice, like in this picture for example. It doesn't always work, but you never know until you try.
About 5 to 10 seconds elapsed between the time I saw a potential picture here, and the instant that I snapped the shutter. I first noticed the scarves hanging on the canopy forming interesting vertical lines, then I decided to line up the "cafe" sign as part of composition. To top it all off, the people happened into my composition at just the right time and positions. Because I was pointing my camera up at the scarves, the man instinctively looked up to see what I was shooting. I knew I only had one shot to get it right. I only took one picture of this scene.
Shooting in this way, and getting a successful picture is deliciously satisfying. And then later upon reflection, you realize that this moment has been captured, and it will never happen again in exactly this way, ever. :)
--WT
Definitely looking up in this shot.. The scarves not only draw our attention to the top half, but the main character's gaze as well. Nice moment.
Labels: Project Aug. 2010
Labels: "Project Nov. 2010"
Lea, thanks for kicking off the project :). This is a very nice picture. I see you put a lot of thought into it, and it shows. There is a sense of motion from the blur of the man and the car, and this makes me wonder where he is going and what's around the corner. I find it interesting that you're safely behind the window when you shot this, which would be an entirely different shooting experience if you were standing on the other side :).
Because of the barrier between you and the subject (or outside world), this makes the feel of the picture a little different from the HCB shot that you reference in the description (not necessarily better or worse, just different).
All the compositional elements are directing my attention to the man and his mysterious motives: "What's around the corner?" "Who or what did he just see?".
I think you caught just the right moment to snap the shutter, good timing.
--Warren
This is taken from a biography of HCB:
The decisive moment, as Cartier-Bresson tersely defined it, is ‘the simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression."
Thanks Warren, for the comments and considerations. I really appreciate it :) I was in hiding, due to my own fear.. lol.. I tried later to catch some chess playing in an open area but was unsuccessful. Must keep trying.. hm. =P I agree, and enjoy the fact that you pointed out the contrast of being behind a window vs being behind a tree. It is different. Nice observation. How pleasant to discuss this topic with you here..
I know you other folks are looking. Any comments or discussion from the peanut gallery? :)
--WT
Street shooting is Joe's preferred activity, so maybe he can share some of his techniques. Joe?
And Martin was a professional photojournalist, so maybe he'll come out of his hibernation and offer some hints.
SteveR shot with Leicas and did street shooting in the early days of his photography life, so I'm sure he has some words of wisdom to offer too.
IMO, there is no single technique that is "best" for shooting street. It all depends on the particular situation. Also, your camera does not have to be hidden. In any case, you need to be observant and ready to shoot in an instant, when the opportunity presents itself. So I think you are right about having patience and thinking quickly.
It's a different world out there than when HCB was out prowling the streets, so please be careful wherever you are :).
--WT
I just noticed that a similar project theme was done before, in July 2006: "Decisive Moment". Unfortunately for that month, I was the only one who participated :(.
Labels: Ocean Beach, Olympus Stylus Zoom 140 DLX, Sunset
Good job Warren! If there is a easier way to make panorama, I am all for it. Cropping works well with very high resolution photos.
Warren,
Nice use of the fog in the first picture that draws my eye to the elements in font. I also like the last picture, that make me wonder what the party is all about.....dancing to the sun? The colors of a sunset are always great.
**Dolph
Labels: D100, FPCF Photographers, Sutro Baths
I especially like the compostion of the tree trunk and exposed wood, nicely done Warren. The arch is very appealing as well
Dan
The tree did come out really well. I post mine when i get back home in a couple of weeks. The picture with the flowers and the ocean in the back ground came out really nice, with great colors framed with the rocks. The picture of the flower that is framed by the open window i'll post but I think your came out better with the sky. A great afternoon and lots of fun.
I like the last one too, it has a nice place to settle into for focus. And the stripped area does provide a nice leading line as Dan pointed out.
0 Comments:
Post a Comment