1967 Lotus 49 Formula One
Labels: Auto Racing, Black and White, Laguna Seca, Panasonic DMC-G1
We are a small group of friends with a common love of photography. We hope to enjoy each others' work and to broaden our knowledge of photography and to stimulate our creativity by sharing our work and ideas here. Please invite your friends to stop by. If you are interested in becoming a photo contributor, please send me an email. --Warren
Labels: Auto Racing, Black and White, Laguna Seca, Panasonic DMC-G1
Labels: Auto Racing, Jaguar, Laguna Seca, Panasonic DMC-G1
Warren,
Nice capture. I'd love to see some full speed action shots. The XKE was my favorite shot growing up as a teenager. Hope to see some of the featured car shots.
**Dolph
Thanks Dolph. Interestingly, there were not that many full-race E-types out there. I was standing at the wrong spot for the one race that featured them, and I managed to get a shot or two through a chain-link fence. There were many other Jags though, from XK120s, C and D types, to these monster GTP cars. --WT
Labels: Laguna Seca, Panasonic DMC-G1, Porsche 917K
Labels: Camaro, D100, Laguna Seca, Tamron, Transportation
5 Comments:
I really like the composition of the top photo - besides being a great action/sports shot, it has such a nice set of curves, with the Lotus at just the right spot.
I vote for that one as the Silver Efex Pro :-)
Thanks Steve. Yes, the curves at the "corkscrew" are especially photogenic. I'll wait to see if there are any other guesses before I say which is LR-only vs. LR+SEP2.
--Warren
Hi Warren, I like both photos, especially the top one showing the curves of the track. I have no idea which one was using SFEP2. What do you think of SFEP2? Is it worth it?
Thanks Ted.
I like SEP2 a lot. I think that it is intuitive and easy to use, especially for anyone who is familiar with working with B&W analog processing.
Having said that, I think it's possible to achieve the same results in LR, as these two photos illustrate. These were relatively simple conversions, but for a more complicated image, I would prefer to use SEP2 to process it.
I worked extensively in the darkroom in B&W many years ago, and with the arrival of SEP2, I find that I really enjoy working in B&W again except now it's via a digital workflow.
--Warren
Alright then, no more guesses, top picture was LR only, bottom picture was LR + SEP2. :)
--Warren
Post a Comment